Report from IlluXcon 2024
Happy Halloween! Thanks for bearing with me last month when I was on sabbatical and talking about...
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Author: Lauren Panepinto
Turning Points: In Italy Edition
Hi everyone, I’m on SABBATICAL. Orbit Books (our parent company, Hachette, actually) has a...
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Color Trends
If you thought I was going to let the summer go by without mentioning brat green — you’re...
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The Third Self
As creatives develop through their career, we gather influences. Some influences are short-lived —...
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Creative Manifestos
I am receiving giant files from artists all day, and often things come through WeTransfer. And...
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Book Night at the TDC
This is going to be a short post because I am just coming home from the Type Director’s Club...
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Advice for Grads (and Anyone Else Who Needs It)
It’s graduation season! Over the last few weeks, I visited Ringling College of Art in...
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Drain vs. Delight
I have been spending the last 4 or 5 Fridays in a row catching up on my portfolio review backlog,...
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De Minimus vs Appreciable AI in Copyrights
It’s been a while since I’ve given an AI Art update and I wanted to explain something...
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The Productivity Fallacy (and Prototyping)
With the turn of the year, I’ve been thinking a lot about how to do things differently. 2023...
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Artists in Context
So I’ve already pulled two columns here from my trip to the Manet/Degas exhibit at the Met:...
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The Male vs Female Gaze in Art
After my column last month about Manet and his work — especially Olympia and Luncheon on the...
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Turning Points: Manet and Olympia
Welcome back to my intermittent series: Turning Points, where I investigate the illusions (and...
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Fables and the Public Domain
An interesting case in IP law is brewing, and—shocking I know—it’s not about AI this time....
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