2022 Archives

The Power of Hindsight

Posted by Wylie Beckert | Monday, February 21st, 2022

If you’ve been following my art for any length of time, you’ve probably noticed that...

Color Theory Part 5: Notan and the flattin stages of the painting

Posted by Ron Lemen | Saturday, February 19th, 2022

Notan Every time I am reminded of making an article, I want to do something simple and quick, but...

DOUBLE INDEMNITY! (For the Criterion Collection)

Posted by Greg Ruth | Friday, February 18th, 2022

Never before has an insurance clause and policy wrought SO much drama, heroism and greed…...

Going Big: Enlarging “The Wind in the Waves”

Posted by Kristine Poole | Thursday, February 17th, 2022

Today, I’ll share the process of enlarging a smaller version of Colin’s “Wind in the Waves” into a...

Preliminaries

Posted by Donato Giancola | Wednesday, February 16th, 2022

A little survey of various approaches I have taken through the years in developing preliminary...

Fischer paints: Tameshi: Reality Architect for MTG Kamigawa Neon Dynasty

Posted by Scott Fischer | Tuesday, February 15th, 2022

I was so stoked to do a second legendary Moonfolk for Magic the Gathering’s Kamigawa Neon...

Artist Spotlight: Henry Ossawa Tanner

Posted by Miranda Meeks | Monday, February 14th, 2022

In celebration of Black History Month, I’d like to take a moment to revel in the lush...

Character Design, Pt 3 – Creating Variations – Layer Organization and Clipping

Posted by Winona Nelson | Saturday, February 12th, 2022

In the last session, I created a paper doll body base, to provide a frame on which to work on...

Underpaintings Magazine – Signal Boost

Posted by Howard Lyon | Friday, February 11th, 2022

*** This is a repost of a previous article I wrote in 2020, but I remain excited to share this...

showing the goods

Posted by Justin Coro Kaufman | Thursday, February 10th, 2022

Hey muddy buddies! Been spending the week getting paintings prepared to ship off to Santa Monica...

Setting the Tone

Posted by Sarah Finnigan | Wednesday, February 9th, 2022

At IX this year, I was set up across from the room where portfolio reviews were taking place, and...

A Sketchbook 2021 Preview

Posted by Cory Godbey | Tuesday, February 8th, 2022

If I would have expected a year knock me off course from my annual sketchbook series, man, I...

With intention

Posted by Jesper Ejsing | Monday, February 7th, 2022

What’s the purpose of being an illustrator? for me its about telling the story I am asked to...

Painting Process Notes For “Dawn”

Posted by Vanessa Lemen | Saturday, February 5th, 2022

I finished this painting recently and wanted to share some notes on the process. What...

The Four Artistic Ideologies

Posted by Kirbi Fagan | Friday, February 4th, 2022

When we create work that our heart is connected to, other people connect to it too. It’s the...

Write For Us Health on Book Cover Trends thru Time (via DUNE)I am thankful for the depth of information you have offered, which has positively influenced my perspective.
nico kopf on Restoration Angel Painting ProcessBeautiful work! Seeing you use such a limited palette is great, as this piece could easily have been overworked with too many and/or stronger colors.…
Wi88 on Breaking InWi88 duoc nhieu thanh vien yeu thich va danh gia cao trong gioi nha cai ca cuoc va game bai doi thuong. Neu ban dang tim kiem dia chi uy tin, hay lua…
Belgian Malinois For Sale on Digital Art Is Not “Real Art”For as long as We can remember, Belgian Malinois Dogs For Sale have been our sole passion in life. From growing up training our Dogs as well as our ne…
Ozempic Kopen on Digital Art Is Not “Real Art”kopen sie Ozempic kopen®️ De inhoud van generieke pillen en merkgeneesmiddelen is precies hetzelfde. Het enige verschil is de naam

Year: 2022

The Power of Hindsight

Color Theory Part 5: Notan and the flattin stages of the painting

DOUBLE INDEMNITY! (For the Criterion Collection)

Going Big: Enlarging “The Wind in the Waves”

Preliminaries

Fischer paints: Tameshi: Reality Architect for MTG Kamigawa Neon Dynasty

Artist Spotlight: Henry Ossawa Tanner

Character Design, Pt 3 – Creating Variations – Layer Organization and Clipping

Underpaintings Magazine – Signal Boost

showing the goods

Setting the Tone

A Sketchbook 2021 Preview

With intention

Painting Process Notes For “Dawn”

The Four Artistic Ideologies

In Stores Now!

New Video

Materials and Methods

Featured Posts

Where it all begins…

Objectify

Studio Safety, Part 1 : Ventilation

Deciphering Bouguereau’s Flesh Tones

Getting You Paid, Part 1: What Goes Wrong

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