For the last few years, I have been branching out in both subject and market. Â I have continued to illustrate, painting for Magic: the Gathering and other clients in the fantasy/sci-fi market but have also started to do some religious work and am also preparing work for galleries. Â It has been a challenge. Â This article isn’t about religious painting or fantasy illustration, but about working and promoting yourself in two very different genres.
Initially, I kept my religious work and illustration work on two different sites, but this last year I launched a new site where they sit side by side. Â I still have separate stores and blogs, but it is hard to miss.
Some days I am relieved to have my hands in multiple markets. Â I enjoy the creative variation as well as the opportunity to diversify financially. Â I have broadened my market and opened up new opportunities that might not have ever been presented otherwise.
Ashcloud Phoenix – Magic: the Gathering |
Then at other times I worry that I am diluting my “brand”, softening the impact I could potentially make in either market. Â There is only so much time in a day and the fact is, I am doing half as much illustration work and I could do twice as much gallery/fine art if that were my sole focus.
The truth is, I have never been happier. Â I have come to the point that I don’t sweat what might be for what is (most days). Â As long as I am improving, working hard and smart, I find this work to be increasingly gratifying.
Feed My Sheep – 11 x 14 oil on panel |
I have often heard the advice to pick something and go after it 100%. Â I can’t disagree with that but what if you have a drive to do comics and gallery work or children’s book illustration and horror? Â I can only speak to my own experiences so that if you are considering engaging in what might be seemingly divorced markets you might do so with a little less trepidation.
Here are the benefits/insights I have found:
- When I switch from one kind of work to the other, I come back each time with a renewed and increased energy.
- My audience has doubled over the last few years. Â Google Analytics has given me good insight into how my audience has changed and what they come to my site for. Â On and average day traffic is nearly a 50/50 split between my religious work and fantasy work. Â
- Producing work consistently for a market is key to keeping it moving forward. Â Regular releases help to keep your audience engaged even when there is less work coming out.
- The two markets I have been producing work for have offsetting seasons. Â I focus a little more on promoting my illustration in the spring and summer and my religious work in the fall and winter. Â If you should work in a couple markets, that might be something to consider.
Master the Way – Magic: the Gathering |
Here are some challenges:
- I sometimes feel that I have to sacrifice one opportunity for another. Â That being said, when I was solely doing contract work, I felt that way all the time. Â
- Some customers have expressed concern or disdain at my spectrum of work, from both sides. Â I suppose there is a further risk of not being taken seriously by some as long as I have a foot in both markets. Â
- There is an added measure of stress. Â I can’t pin it down exactly, but there are more things to juggle. Â Even if I did the exact same amount of work, with two markets to feed and grow it is more hectic.
- I keep more inventory on hand as far as prints go, so that I can ship quickly. Â This requires ongoing investment that is greater than when I was fulfilling one audience.
- My social media relationship… “it’s complicated.” Â Building your social media presence takes time and regular effort. Â If you want to keep your social media separate, it can take a lot more time.
King of Kings – 36″ x 48″ oil on linen |
If you are currently working happily in one field, but want to dip your toes in another area of work I offer this advice. Â Be patient. Â Connect with artists working in that market and ask for advice with shows and marketing. Â Schedule time each week to do research/promotion and stick to it. Â Accept that this is a compromise. Â Prepare to work a little harder at first. Â Enjoy every day you get to work as an artists, whatever it is you paint/draw/sculpt/create.
I can’t say that I will always split my time between these two fields. Â The road I think I am on seems to change as I traverse it. Â Check back with me in 50 years and I will let you know how things worked out.
For fun, here is a time-lapse of my Feed My Sheep piece.
Master the Way |
Warden of the Eye |
Thanks for giving this post a read. Â I would love to read your thoughts and experience in the comments!
This is amazing Howard! Thanks so much for sharing the process gifs- is there anywhere we can see them and pause the playback. I love seeing how the masters work in step by steps- you make it look so easy! Maybe that's a reflection of a clear process, followed well?
I'm inspired by the apparent absence of “noodling around” here. Both sides of your canvas are beautiful 🙂
These paintings are just wonderful, I love both the fantasy and the religious, but I am afraid that Jesus will hit me with that stick he is carrying. Just my weirdness I guess.
I think you are thriving in both fields because your work is Excellent, full stop.
Thanks! I posted the individual frames on my page. They look better than in the gif too since they aren't reduced to 256 colors. Here is a link: http://www.howardlyon.com/blog/
Thanks for the reply and Happy Halloween!
Thank you! And yes, watch out for the stick, though a wizard with a staff might be as likely to hit you with it. 😉
Hey, thank you Jose!
One thing that helps: Paint like Howard Lyon!!
Absolutely great post Howard. Just what i needed to hear today.Thank you!
Thanks for this. I have many diametrically opposed types of work, and I've always felt like I should pick one and stick to it. But I LIKE being so diverse. Glad to know I'm not alone.
Well that is good because I have tried to paint like other people and it didn't work out. 😉
Excellent! Thanks for giving it a read.
Thanks dark, I hope it works for you too!
Do you find that there is less of a cultural bias against illustration in the fine art community these days? I feel like galleries are more accepting of fantasy themes than they were 20 years ago. I think there's a new generation of art buyers out there who grew up with fantasy all around them and are more receptive to it as a legitimate subject for fine art.